Formed as an artist in the crucible of American industrialism, Arthur Osver journeyed into realms of abstraction to find a unique way of seeing and painting. Continue reading
Arthur Osver: The Inner Landscape
Abstract Art
Features From Previous Issues
Edna Andrade: The Geometry of Perception
Edna Andrade’s art transcends the “Op” label, revealing her fascination with mathematics, psychology, and the inner workings of nature. Continue reading
The Big Picture
The Met’s exhibition of monumental abstraction places disparate works in dialogue with each other—and with the viewer. Continue reading
Al Loving: Flight to Freedom
From hard edge to soft fabric, Al Loving’s abstract creations explore the farther reaches of perception and emotion. Continue reading
A Writer’s Wordless Visions
The artwork of Victor Hugo is revealed at the Hammer Museum in Los Angeles. Continue reading
From Beyond
Hilma af Klint’s pioneering abstract art, born of spiritual visions, goes on view at the Guggenheim. Continue reading
A Good Fit
John Chamberlain found his own art materials where no one else was even looking and assembled them as a poet assembles words. Continue reading
Signs and Wonders
Whether in his collage-based art or in his activities as collector/scholar/curator of ancient artifacts, Tony Berlant is penetrating into hidden levels of meaning. Continue reading
A Gentleman and an Artist
In the period before Ab Ex, the multitalented Manhattanite Charles Green Shaw was a powerful advocate for abstract art in America. Continue reading
Charles Arnoldi: Problem Solved
Charles Arnoldi’s intricate career is traced in an exhibition at the Bakersfield Museum of Art. Continue reading