For Collectors of the Fine and Decorative Arts
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  • Features From Previous Issues

    Books: A Kleptocrat’s Collection

    The great complexities of provenance research are little known to those outside the profession. Claimants of looted art, lawyers, judges and most journalists, unaware of the difficulties, often think that the exact history of a work of art is easily found. In her extraordinary book on the paintings collection of Hermann Goering, Nancy H. Yeide, chief of provenance research at the National Gallery of Art in Washington, D.C., makes clear that that is not the case. Continue reading

    The Visionary

    In 1930, at the age of 37, Charles Burchfield was given a one-man exhibition by the Museum of Modern Art. While by no means indifferent to the honor and in no way dissatisfied with the way his work was presented, the artist didn’t trouble himself to make the trip from his home in Buffalo, N.Y., to attend his own show. To MoMA director Alfred H. Barr Jr., he wrote, somewhat sheepishly, “I wish I had been able to come to the exhibit, but found it was impossible just now.” Continue reading

    Inner Strengths

    This past June and July, a very interesting thing took place in the London salesrooms of Christie’s and Sotheby’s. The results for Old Master paintings surpassed those for contemporary art, and they came surprisingly close to those for Impressionist and modern art. To market watchers, this topsy-turvy state of affairs signaled a shift in art-world priorities in the wake of the global economic crisis. Continue reading

    Financial Report: The Pawnbroker

    If the art of business has revolutionized the business of art in the past decade, Tony Barreiro and Ray Parker Gaylord are firmly in the vanguard. The San Francisco-based company ArtLoan, which they founded in 2004, lends money against the value of art collections owned by individuals and galleries. Continue reading

    In a Nutshell: One for the Road

    The impulse to personalize a car is almost as old as the car itself. Lord Montagu of Beaulieu, an English aristocrat, is credited with inventing the hood ornament, also known as the mascot, when he affixed a statue of St. Christopher to his 1899 Daimler. Continue reading

    Books: Hucksters and Housekeepers

    The defining moment in the career of James Rorimer, the sixth director of the Metropolitan Museum of Art, fell on Nov. 9, 1965, when a blackout shut down the northeastern United States. With a loaded gun in hand, Rorimer patrolled his museum from dusk until dawn. He was, in the words of one associate, “a housekeeper extraordinaire,” an administrator safeguarding the past against an uncertain future. Continue reading

    Essay: The Winnerless Game

    Among the few items remaining in Marcel Duchamp’s studio after he quit painting in 1914 was an unmounted coat rack that tripped him up whenever he passed. Rather than nailing it to the wall where it belonged, one day he fixed it to the floor and, declaring it a readymade, dubbed it Trébuchet. Continue reading

    Talking Pictures: Curatorial Logic

    On June 27 the Cleveland Museum of Art officially opened its much-anticipated East Wing, the second of four stages in an ongoing $350 million expansion and renovation project, designed and supervised by the New York-based Uruguayan architect Rafael Viñoly. Continue reading

    Collecting: Textiles That Talk

    “If you’re a modern art collector, you can squint your eyes and say, ‘Jasper Johns,’” says John Monsky. He’s referring to the array of antique American flags that festoon the walls of his Manhattan apartment. And it’s true: Flags make a strong graphic statement and have great Pop art appeal. But Monsky, who is general counsel at an investment firm and an avid history buff, is most excited by the stories woven into these pieces of cloth. Continue reading

    Collecting: Land of Enchantment

    On Sept. 4, 1898, two young artists, Bert Geer Phillips and Ernest L. Blumenschein, were driving a horse and wagon from Denver to Mexico, in search of scenery to paint. They lost a wheel not far south of the Colorado border into New Mexico, and flipped a coin to see who would have to walk to the nearest town and replace it. Continue reading