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	<title>Art &#38; Antiques Magazine &#187; Photography</title>
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	<link>http://www.artandantiquesmag.com</link>
	<description>For Collectors of the Fine and Decorative Arts</description>
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		<title>Snapshot Poetics</title>
		<link>http://www.artandantiquesmag.com/2011/12/snapshot-poetics/</link>
		<comments>http://www.artandantiquesmag.com/2011/12/snapshot-poetics/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 06:42:35 +0000</pubDate>
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				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.artandantiquesmag.com/?p=1398</guid>
		<description><![CDATA[Vernacular photography, a growing, collector-driven field, finds mystery and masterpieces in the lenswork of unknown amateurs.]]></description>
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		<title>The Dark Night</title>
		<link>http://www.artandantiquesmag.com/2011/06/the-dark-night/</link>
		<comments>http://www.artandantiquesmag.com/2011/06/the-dark-night/#comments</comments>
		<pubDate>Wed, 01 Jun 2011 04:01:16 +0000</pubDate>
		<dc:creator>aamagadmin</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.artandantiquesmag.com/?p=1110</guid>
		<description><![CDATA[It’s often said that the freaks come out at night, but two recent shows prove that it’s really the photographers.]]></description>
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		<title>A Leica Like That</title>
		<link>http://www.artandantiquesmag.com/2011/05/a-leica-like-that/</link>
		<comments>http://www.artandantiquesmag.com/2011/05/a-leica-like-that/#comments</comments>
		<pubDate>Sun, 01 May 2011 16:08:42 +0000</pubDate>
		<dc:creator>aamagadmin</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.artandantiquesmag.com/?p=1005</guid>
		<description><![CDATA[Digital photography has all but killed off film, and even professional photographers are running around snapping pictures with their iPhones, but there’s still a place in this world for a classic mechanical film camera—especially if it’s a Leica. ]]></description>
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		<title>Requiem for Kodachrome</title>
		<link>http://www.artandantiquesmag.com/2011/02/requiem-for-kodachrome/</link>
		<comments>http://www.artandantiquesmag.com/2011/02/requiem-for-kodachrome/#comments</comments>
		<pubDate>Tue, 01 Feb 2011 05:01:08 +0000</pubDate>
		<dc:creator>aamagadmin</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.artandantiquesmag.com/?p=841</guid>
		<description><![CDATA[By John Dorfman After 75 years, the pioneering color film is no more. Now perhaps the art world can recognize its unique worth as a medium. I just got my last rolls of Kodachrome back from the lab. They had sat in my desk drawer for a few years, artifacts of a time when I [...]]]></description>
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		<title>Exhibitions: Hues of History</title>
		<link>http://www.artandantiquesmag.com/2009/12/exhibitions-hues-of-history/</link>
		<comments>http://www.artandantiquesmag.com/2009/12/exhibitions-hues-of-history/#comments</comments>
		<pubDate>Tue, 01 Dec 2009 23:14:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://aamag.carolinaluxury.com/?p=250</guid>
		<description><![CDATA[The Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) belongs to that elite company of artists who, dissatisfied with the limitations of the media available to them, invented their own. Around the turn of the century Prokudin-Gorskii, who had a degree in chemistry, was experimenting with ways to bring color to the monochrome world of photography.]]></description>
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		<title>Essay: Poetry of the Moment</title>
		<link>http://www.artandantiquesmag.com/2009/11/essay-poetry-of-the-moment/</link>
		<comments>http://www.artandantiquesmag.com/2009/11/essay-poetry-of-the-moment/#comments</comments>
		<pubDate>Sun, 01 Nov 2009 23:15:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://aamag.carolinaluxury.com/?p=252</guid>
		<description><![CDATA[When Robert Frank’s landmark photography book, The Americans, was first published in the United States in 1959, it was not warmly received, to put it mildly. His photographs—off-kilter, sometimes out of focus or unflattering but always remarkable—were seen by some in that nationalistic, Cold War-era as an all-out condemnation of the country.]]></description>
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		<title>Film: Light and the City</title>
		<link>http://www.artandantiquesmag.com/2009/09/film-light-and-the-city/</link>
		<comments>http://www.artandantiquesmag.com/2009/09/film-light-and-the-city/#comments</comments>
		<pubDate>Tue, 01 Sep 2009 23:17:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Photography]]></category>

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		<description><![CDATA[A glass box of a room juts into the Los Angeles night; within it, two young women converse, unconcerned with the glittering grid of city lights beneath them. This striking image became famous not only because of its composition but because of its enduring resonance as an emblem of California modernism.]]></description>
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		<title>Collecting: C’est Daguerre</title>
		<link>http://www.artandantiquesmag.com/2009/09/collecting-c%e2%80%99est-daguerre/</link>
		<comments>http://www.artandantiquesmag.com/2009/09/collecting-c%e2%80%99est-daguerre/#comments</comments>
		<pubDate>Tue, 01 Sep 2009 23:16:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://aamag.carolinaluxury.com/?p=254</guid>
		<description><![CDATA[In preparation for this past spring’s photography sale, the specialists at Sotheby’s New York were researching a 4- by 5.25-inch daguerreotype, taken in 1848 or earlier, of a rural estate on what is now New York City’s Upper West Side. The image, remarkably detailed despite some tarnishing, shows a house at the top of a hill, with a white fence encircling the yard in front of it.]]></description>
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		<title>Film: Desert Explorer</title>
		<link>http://www.artandantiquesmag.com/2009/07/film-desert-explorer/</link>
		<comments>http://www.artandantiquesmag.com/2009/07/film-desert-explorer/#comments</comments>
		<pubDate>Wed, 01 Jul 2009 23:17:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://aamag.carolinaluxury.com/?p=258</guid>
		<description><![CDATA[Even in this digital age the iconography of the American Southwest—the horizontal expanse of land and sky, the mammoth cloud formations, the sculpted buttes and wind-scrubbed mesas, the lone saguaros and cottonwoods—commands considerable evocative power. When the California-born artist Maynard Dixon first visited Arizona and New Mexico in 1900, he met his muse in that wild terrain.]]></description>
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		<title>Talking Pictures: Revolutionary Road</title>
		<link>http://www.artandantiquesmag.com/2009/06/talking-pictures-revolutionary-road/</link>
		<comments>http://www.artandantiquesmag.com/2009/06/talking-pictures-revolutionary-road/#comments</comments>
		<pubDate>Mon, 01 Jun 2009 23:18:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://aamag.carolinaluxury.com/?p=260</guid>
		<description><![CDATA["I should be photographing more steel mills or paper factories," Edward Weston wrote in his daybook on Sept. 13, 1923, "but here I am in romantic Mexico ... There are sunlit walls of fascinating surface textures, and there are clouds!"]]></description>
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