For Collectors of the Fine and Decorative Arts
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  • Features From Previous Issues

    Collecting: C’est Daguerre

    In preparation for this past spring’s photography sale, the specialists at Sotheby’s New York were researching a 4- by 5.25-inch daguerreotype, taken in 1848 or earlier, of a rural estate on what is now New York City’s Upper West Side. The image, remarkably detailed despite some tarnishing, shows a house at the top of a hill, with a white fence encircling the yard in front of it. Continue reading

    Film: Desert Explorer

    Even in this digital age the iconography of the American Southwest—the horizontal expanse of land and sky, the mammoth cloud formations, the sculpted buttes and wind-scrubbed mesas, the lone saguaros and cottonwoods—commands considerable evocative power. When the California-born artist Maynard Dixon first visited Arizona and New Mexico in 1900, he met his muse in that wild terrain. Continue reading

    Talking Pictures: Revolutionary Road

    “I should be photographing more steel mills or paper factories,” Edward Weston wrote in his daybook on Sept. 13, 1923, “but here I am in romantic Mexico … There are sunlit walls of fascinating surface textures, and there are clouds!” Continue reading