Even in this digital age the iconography of the American Southwest—the horizontal expanse of land and sky, the mammoth cloud formations, the sculpted buttes and wind-scrubbed mesas, the lone saguaros and cottonwoods—commands considerable evocative power. When the California-born artist Maynard Dixon first visited Arizona and New Mexico in 1900, he met his muse in that wild terrain. Continue reading
Photography
Features From Previous Issues
Talking Pictures: Revolutionary Road
“I should be photographing more steel mills or paper factories,” Edward Weston wrote in his daybook on Sept. 13, 1923, “but here I am in romantic Mexico … There are sunlit walls of fascinating surface textures, and there are clouds!” Continue reading


