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For Collectors of the Fine and Decorative Arts
October 2009
Olde Hope Antiques; Sumpter Priddy IIICoats of Many Colors
Antique American painted furniture reveals our ancestors’ craving for color, whimsy and liveliness.
By Sheila Gibson Stoodley

The difference between a mediocre piece of American painted furniture and a great one is measured in a span smaller than an inch. Vulnerable to the ravages of time and the whims of fashion, few of these furnishings have survived the centuries with their painted surfaces intact.

A step-back cupboard made circa 1820–30 in Pennsylvania and offered for $225,000 by Litchfield, Conn., dealer Jeffrey Tillou would be worth far less if it had been stripped of its decorative surface. “It would be $50,000 to $60,000 without its original paint,” Tillou says of the piece, which was faux-grained, or painted to resemble a prettier-looking wood than the poplar from which it was built. “You’re buying the paint. The premium on painted furniture is like the premium on a painting itself. It’s about condition and the way it’s been treated. The more intact it is, and the more original paint there is, the bigger the premium on it.” READ MORE

 
 
Also Featured in October 2009
Market / A T. rex skeleton goes on the block in Las Vegas; London celebrates Asian art; a preview of fall auctions in Germany and Austria.
Exhibitions / Chronicling the history of Sèvres porcelain at the Hillwood Museum in Washington, D.C.
Talking Pictures / Columnist Jonathan Lopez talks to Metropolitan Museum curator Walter Liedtke about Johannes Vermeer.
Collecting: Travel Posters / Boldly-colored posters from the 1920s through the 1950s capture the romance of travel’s most gracious era.
Critic’s Notebook: Chinese Contemporary Art / Critic Jonathon Keats analyzes the various strains of art coming out of China, and finds that the best work is not being tailored to a Western audience.
Charles Burchfield / As two current museum shows reveal, the visionary landscape painter had a unique way with watercolor.
Russel Wright / Visitors to Manitoga, the industrial designer’s upstate New York home studio-turned-museum, can see how he melded nature and architecture.
Books / Lynn Nicholas reviews Beyond the Dreams of Avarice: The Hermann Goering Collection, by Nancy H. Yeide.
In a Nutshell / Dutch silver miniatures from the 17th and 18th centuries.
 
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