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Arshile Gorky, The Liver is the Cock’s Comb, 1944

Arshile Gorky: Explorer of the New World

Arshile Gorky, an Armenian refugee, remade himself in America, synthesizing an art practice that brought him to the brink of Abstract Expressionism.

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Judy Pfaff, Scopa #1 (sette bello), 1988

Judy Pfaff: Controlled Chaos

Judy Pfaff’s boundary-breaking installations and multimedia works balance wild exuberance and carefully planned structure.

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Bartolomé Bermejo, Descent of Christ into Limbo, about 1470–75

Bartolomé Bermejo: Beat the Devil

Astonishing works by the 15th-century Spanish painter Bartolomé Bermejo are on view at London’s National Gallery.

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McKaycraft line magazine rack, circa 1933

Global Deco

The Wolfsonian in Miami offers a comprehensive view of Art Deco on both sides of the Atlantic.

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Frank Bowling, Sacha Jason Guyana Dreams, 1989

Frank Bowling: The Possibility of Paint

The Guyanese-English artist Frank Bowling is getting a long-awaited retrospective at Tate Britain.

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Carl Holty, Flowering, 1961

Enough for a Lifetime

Carl Holty, a bridge between European modernism and the American art scene of the ’60s and ’70s, found original solutions to some of the deepest problems in abstract painting.

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Dorothea Tanning, Dogs of Cythera, 1963

The Open Door

The fantastic art of Dorothea Tanning, one of the last survivors of the Surrealist movement, gets a retrospective at Tate Modern.

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Waste Bowl, 1886

Gorham Silver: The Shining

Hundreds of pieces of Gorham silver go on view at the Rhode Island School of Design Museum, providing a brilliant view into the “golden age” of American silver.

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Alex Katz, Untitled (Landscape with Cars), circa 1954

State of Maine

The Farnsworth Museum celebrates a group of postwar New York artists who came to Maine for work and pleasure.

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