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Leonardo Cremonini, I cavalli che urlano, 1954-1955

Leonardo Cremonini: Paintings as Postcards

A forgotten postwar Italian artist comes to the fore.

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Gustav Stickley, Adjustable-Back Chair No. 2342

The Hand of the Craftsman

Professedly functional but sometimes fanciful, American Arts & Crafts objects still lend themselves to harmonious living.

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Oscar Bluemner, Sunset Effect on Rain, 1929

Oscar Bluemner: The Vermillionaire

Painting the landscape, Oscar Bluemner was also painting himself, in his own unique colors.

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Rolph Scarlett, Untitled (RS0382)

Objective: Non-Objectivity

Rolph Scarlett joined the quest for a pure art so independent of the everyday world that it couldn’t even be called “abstract.”

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Conservators at the Opificia delle Pietre Dure in Florence

Taken at the Flood

Fifty years after a catastrophic flood, the last of Florence’s damaged artworks have been restored and returned to their rightful places.

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Richard Erdman, Continuum IV

Richard Erdman: Set in Stone

For sculptor Richard Erdman, marble is a living thing.

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Belkis Ayón, Nlloro (Weeping), 1991

Belkis Ayón: Mythical Figures

Belkis Ayón gets her first museum retrospective in Los Angeles.

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Pablo Picasso, The Women of Algiers (after Delacroix), 1954

A New Model

An innovative exhibition charts the path by which Picasso transformed the age-old relationship between artist and model.

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Diego Rivera, Dance in Tehuantepec (Baile in Tehuantepec), 1928

Defining Modernity

An enormous exhibition at the Philadelphia Museum of Art examines the many dimensions of Mexican Modernism.

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