Contemporary Art

by Sarah E. Fensom Two of the Met’s period rooms get a contemporary reimagining. Katrin Sigurdardottir, an artist born in Iceland in 1967, stands in one of her two installations in the Metropolitan Museum of Art, aptly titled Boiserie, meaning “decorative paneling.” What seems like a Japanese-style screen stolen from the set of an Alice…

As Turkish contemporary art takes its place on the worldwide stage, the market for it is getting so hot that collectors in Turkey are being priced out. By Abigail R. Esman Situated at the meeting point between Europe and Asia, the city of Istanbul has long been seen as a bridge between East and West….

Drawing is to the visual and design arts what mathematics is to the sciences—a lingua franca that serves, across disciplines from painting and sculpture to fashion, architecture and industrial design, as a widely expressive language in which creative types of all kinds can jot down their ideas and efficiently share them with each other. Traditionally, drawings have been works made with various media on paper, including different kinds of cardboard.

Here in their high-rise Upper East Side apartment with sweeping views of Central Park, Leslie and Johanna Garfield, the husband-and-wife collecting team, could always use that extra square foot for their latest acquisition. Six years ago, in order to accommodate their growing collection, the apartment underwent a four-year renovation before the couple moved in. Today the home doubles as a private gallery, with specially constructed hallways and sliding walls, conservation space, and an office for an in-house cataloger and registrar. Still, there never seems to be quite enough room.

By Dan Hofstadter Mark Rothko insisted that his contemplative art was the stuff of high drama. Why? Mark Rothko liked to hold forth. As a listener, you may have found his harangues enlightening, infuriating or “banal,” as Clement Greenberg did, but never funny. They weren’t stand-up. Yet the chief virtue of Red, John Logan’s play…

By Aline Brandauer In Santa Fe, contemporary art moves forward in conversation with the past. In a place as saturated with diverse artistic traditions as New Mexico, the creative process is bound to involve a complex dialogue with the past. Absorbing Native American, Spanish and Anglo-American influences, New Mexico’s cultural producers cannot escape tradition; they…

A long lunch is ending on a short autumn day, as late sun streaks the dining room of London’s Chelsea Arts Club, where two monuments of Indian art are catching up on a decade spent apart. Syed Haider Raza, 88, and Maqbool Fida Husain, 94, go back 60 years to 1940s Bombay, where they pioneered modern painting in India. Their most recent works are hanging together again, first at a preview at Art London and then at a major exhibition in December, and the occasion is worthy of a reunion.

African-American art has come a long way since 1876. In that year, at the Centennial Exposition in Philadelphia, artist Edward Mitchell Bannister won the bronze medal, the top prize for painting, but was denied the chance to attend the award ceremony when officials realized he wasn’t white. Exactly 100 years later,Two Centuries of Black American Art, a groundbreaking show that appeared at the Los Angeles County Museum of Art, the High Museum in Atlanta, the Museum of Fine Arts, Dallas, and the Brooklyn Museum, raised public awareness and was followed by scores of others that examined art made by African-Americans.

When Thomas Edison invented the lightbulb in 1879, he had no clue that one day it would become a medium for art. Indeed, he probably couldn’t have conceived of it; when listing 10 ways his new phonograph would improve the world, he ranked “reproduction of music” fourth, behind dictation, audiobooks and teaching elocution.