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Impressionism

Tiffany & Co. (1837–present), Jug, probably Herat, Afghanistan, early 16th century

Silver Standard

An exhibition at the Met highlights the career and collections of Tiffany’s great silver designer, Edward C. Moore.

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Tsukioka Yoshitoshi , Cooling off at Shijo, 1885

Moon Struck

Yoshitoshi’s “100 Aspects of the Moon” are revealed in full at the Dayton Art Institute.

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Jacob Lawrence, ... for freedom we want and will have, for we have served this cruel land long enuff ... —a Georgia slave, 1810, Panel 27, 1956

Fighting On

Jacob Lawrence’s great lost Struggle series is finally reunited and exhibited—and it couldn’t come at a more appropriate time.

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Gunnar Mauritz Widforss, The Grand Canyon

Best Western

A major private collection of Western American art is shared with the public in Scottsdale, Arizona.

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Frederick Carder, designer, Steuben Division, Corning Glass Works, manufacturer, Vase in the Boothbay Pattern, about 1925

Glass Acts

The long and diverse history of Steuben glass is chronicled in two exhibitions at the Wichita Art Museum.

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Will Barnet, Father and Parrot, 1948

Form and Feeling

Will Barnet’s paintings and prints, whether figurative or abstract, conjure strong emotions from an equally strong underpinning of spatial structure.

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Judy Chicago, Through the Flower 2, 1973

The Great Mother

The de Young Museum mounts the first retrospective of Judy Chicago.

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Dick West, Spatial Whorl, 1949–1950

On Native Grounds

The National Museum of the American Indian chronicles the development of Native American modern and contemporary art.

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Woman of Valor

Artemisia Gentileschi excelled as a painter in Baroque Europe, representing women of history and myth with virtuosic skill and sensitivity, but her path wasn’t without difficulty.

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