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Old Masters

Tablet in the shape of a bat

The Empress Impresses

Artworks from the collection of the Empress Dowager Cixi come to the Bowers Museum, shedding light on the interaction of taste and power in the twilight of Imperial China.

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Frederic Church, Syria by the Sea

Frederic Church: A Romantic Traveler

A show at the Detroit Institute of Arts puts the spotlight on Frederic Church’s paintings of the Mediterranean world.

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Marià Fortuny, The Opium Smoker, 1869

Marià Fortuny: Homage to a Catalonian

A retrospective at the Prado reveals the range and vigor of Marià Fortuny i Marsal, one of 19th-century Spain’s greatest painters.

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Mark Tobey, The Void Devouring the Gadget Era, 1942

Mark Tobey: A Quiet Master

Mark Tobey transformed the fluid lines of Eastern calligraphy into a unique style of abstract painting.

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Rufino Tamayo, New York seen from the Terrace

Mexico Mystique

A new exhibition at the Smithsonian reveals the intimate connection between Mexican modernist Rufino Tamayo and New York City.

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Theodoros Stamos, Greek Rug Mountain Laurel

Living Color

For the American Abstract Expressionist Theodoros Stamos, paint was alive, possessed of a power that could connect the artist directly to nature.

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Claude Monet, Railroad Bridge, Argenteuil, 1874

Masters Old and New

The Philadelphia Museum of Art exhibits and reassesses the collection of a great patron.

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Daum Art Nouveau Mimosa Vase.

Glass Act

Art Nouveau pieces by the Daum factory excel in eye appeal and technical wizardry.

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Charles E. Burchfield, Sunburst

Second Nature

A show devoted to Charles Burchfield’s depictions of weather comes to Montclair.

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