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Old Masters

Sam Gilliam, Bursting, 1972

Out of Frame

By folding, creasing, and ultimately draping his canvases, Sam Gilliam brought color abstraction closer to the viewer than any artist before him.

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Giovanni Bellini, Madonna and Child Blessing

Life and Light

Venetian Renaissance painting is as distinctively beautiful as the city that nurtured it.

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Russian Group 2006 - 7 #7

Go With the Flow

The late Marvin Lipofsky was there at the birth of the American studio glass movement, shaping its course as he shaped his own sculptures.

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Tadanori Yokoo, no goal for art, 2015

Master of Mysterious Images

Known for his distinctive poster designs, the veteran Japanese artist Tadanori Yokoo is earning belated attention overseas for his work as a painter, too.

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Hubert Robert, Le Panthéon avec le port de Ripetta, Salon of 1767

A Rage for Ruins

The 18th-century French painter Hubert Robert catered to the aristocracy’s fascination with the ancient world and the eroding effects of time, with works which continue to astonish.

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Ed Ruscha, Pool #7, from the Pools series published in 1997

New West

Ed Ruscha’s complex vision of the Western American landscape unfolds at the de Young Museum.

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James Havard, Woman Holding Apache Doll, 1996

Talking in Colors

James Havard’s lifelong infatuation with paint has yielded a diverse, absolutely individualistic body of work.

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Robert Cottingham, Champagne, 1992

Robert Cottingham: Signs of the Times

A new show puts decades of Robert Cottingham’s meticulously Realist and decidedly American paintings on view.

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Xul Solar, Otros Troncos, 1919

Xul Solar: Utopia, Unlimited

The polymathic Argentine visionary who called himself Xul Solar did more than just make art—he created his own universe.

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