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Hilma af Klint, Untitled, 1920

From Beyond

Hilma af Klint’s pioneering abstract art, born of spiritual visions, goes on view at the Guggenheim.

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Tokuriki Tomikichiro, Sanjo Bridge, 1954

Print Culture

Japanese printmaking and photography of the 20th century would be unthinkable without each other.

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John Chamberlain, Papalote Goliad, 1974–75

A Good Fit

John Chamberlain found his own art materials where no one else was even looking and assembled them as a poet assembles words.

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Vera Ermolaeva, Design for Futuristic Opera “Victory over the Sun”,

Fighting for the Future

At the dawn of the Soviet era, in a revolutionary art school in the city of Vitebsk, two different visions of modernism struggled for dominance.

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Commentary on the Psalms, Kaffa, 1449

In the Shadow of Ararat

The Met puts the splendor of medieval Armenian art on display.

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Installation view of “Glass of the Architects: Vienna, 1900–1937”

Modernist Material

A show at the Corning Museum of Glass explores the role of glass in early 20th-century Viennese design.

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Katsushika Hokusai, Tiger in Snow, 1849

Light from the East

Traditional Japanese paintings are an excellent buying opportunity, as well as a portal into a world of timeless grace and beauty.

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Tony Berlant, Self, 2018

Signs and Wonders

Whether in his collage-based art or in his activities as collector/scholar/curator of ancient artifacts, Tony Berlant is penetrating into hidden levels of meaning.

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Charles Green Shaw, Biomorphic Seascape, 1936

A Gentleman and an Artist

In the period before Ab Ex, the multitalented Manhattanite Charles Green Shaw was a powerful advocate for abstract art in America.

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