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The Purist

Abstractionist Tomma Abts lets her paintings paint themselves, and the results are intricate, challenging, and beautiful.

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The Lalique Mystique

French designer-entrepreneur René Lalique was a wizard who could make glass do just about anything—and die-hard devotees of his works will do just about anything to get them.

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Solo Goya

A new exhibition explores the variety of Goya’s preoccupations—from war to witchcraft, royalty to riffraff.

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Charles Green Shaw, Untitled (Intersecting Trapezoids No. 1)

The Aristocrats

They were wealthy, privileged, and rigorously formalist. But the “Park Avenue Cubists” believed that the most sophisticated art should be available to everyone.

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Charles Burchfield, View From Our Front Porch at Salem, Ohio, May 23, 1917, watercolor, gouache and graphite on paper, 22 x 20.

Charles Burchfield: Back to Nature

After a detour into social realism, Charles Burchfield returned to his first love, landscape painting, but with new techniques that let the viewer partake of the artist’s mystical, multi-sensory experience.

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spread: Carlo Crivelli, The Annunciation, with Saint Emidius, 1486, egg and oil on canvas, 207 x 146.7 cm.

Interior Design

During the Italian Renaissance, artists indulged their love of architecture by building elaborate structures in paint.

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Susie Pryor, Afternoon in Venice, oil on canvas, 48 x 60 inches;

Peachy Scene

Atlanta’s art world develops confidence in a varied mix of expressions.

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Marianne Richter, Granen flatweave carpet, 1949, Marta Maas-Fjetterstrom AB, hand-woven wool, 64 x 95 inches.

Pile On

Twentieth-century carpets weave strands of modernist geometry and color abstraction into traditional formats, taking textile into the realm of fine art.

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aul Signac, Place des Lices, St. Tropez, 1893, oil on canvas.

Points of Correspondence

A new exhibition at the Phillips Collection examines the relationship between the Neo-Impressionists and their Symbolist peers.

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