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Jamie Wyeth, Portrait of Shorty, 1963, oil on canvas.

Portrait

Jamie Wyeth gets a retrospective at the Museum of Fine Arts Boston that looks beyond his status as American art royalty.

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Alexander Liberman, Iliad, 1984.

Summer Sculpture

Warm weather makes outdoor sculpture viewing a delight.

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Dan Christensen, Pavo, 1968, acrylic on canvas, 108 x 132 inches;

Play of Pigment

Whether with a spray gun or a squeegee, Dan Christensen applied paint in a way that no label or theory could encompass.

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Christopher Benson, Tintagel, 2014, oil on linen, 16 x 20 inches;

The Santa Fe Way

With a “tricfecta” of fairs and a plethora of gallery shows this summer, Santa Fe beckons art enthusiasts from all over the country and the world.

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Kobayakawa Kiyoshi, Tipsy

Nippon Moderne

The little-known phenomenon of Japanese Art Deco is elaborately showcased at the Seattle Art Museum.

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Akira Shimizu, Guidebook, 1962–72, collage, 15 x 18 ½ inches.

Fishing Expeditions

Akira Shimizu plumbs childhood memories and traditional Japanese imagery to find material for his art.

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First Appearance of Wolverine Sold for $657,250

The page, which appeared at the end of The Incredible Hulk #180, published by Marvel in 1974, is described by Heritage Auctions as “one of the most significant pieces of original comic art to appear on the market.”

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George McNeil, Landscape Motif 5/3/68, 1968, oil on panel, 16 x 20 inches;

The Insider’s Outsider

From the modernism of the 1930s to the youth culture of the ’80s, George McNeil’s art was always individualistic, passionate, even Romantic.

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Ruth Asawa, Untitled (S.046), 1961, looped wire, 60 x 17 x 17 inches (largest), 21 x 12 x 12 inches (smallest);

Finely Woven

For acclaimed modernist sculptor Ruth Asawa, art and family were intrinsically meshed together.

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