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Impressionism
The Aristocrats
They were wealthy, privileged, and rigorously formalist. But the “Park Avenue Cubists” believed that the most sophisticated art should be available to everyone.
Charles Burchfield: Back to Nature
After a detour into social realism, Charles Burchfield returned to his first love, landscape painting, but with new techniques that let the viewer partake of the artist’s mystical, multi-sensory experience.
Interior Design
During the Italian Renaissance, artists indulged their love of architecture by building elaborate structures in paint.
Peachy Scene
Atlanta’s art world develops confidence in a varied mix of expressions.
Pile On
Twentieth-century carpets weave strands of modernist geometry and color abstraction into traditional formats, taking textile into the realm of fine art.
Points of Correspondence
A new exhibition at the Phillips Collection examines the relationship between the Neo-Impressionists and their Symbolist peers.
Portrait
Jamie Wyeth gets a retrospective at the Museum of Fine Arts Boston that looks beyond his status as American art royalty.
Play of Pigment
Whether with a spray gun or a squeegee, Dan Christensen applied paint in a way that no label or theory could encompass.
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