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Impressionism

Paul Strand, Young Boy, Gondeville, Charente, France, 1951

Prints of the Modern World

An all-inclusive exhibition of Paul Strand’s work comes to Philadelphia, showing Modernism and modernity through a 20th-century lens.

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Ellen Lesperance, December 12, 1983

Get in Line

Contemporary artists are pushing their pens and pencils in new directions and letting viewers draw their own conclusions.

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Al Held, Roberta’s Trip, 1985

The Imaginary Real

In his bold, geometric work, Al Held eschewed subjectivity and strove for structure

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Leyendecker, New Year’s Baby

Illustrating a Point

Classic works of illustration art, created to be mass-reproduced, are now giving the greatest American painters a run for their money.

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Beatriz Milhazes, Flores e Árvores, 2012–13

Carioca Contemporary

Beatriz Milhazes layers Brazilian exuberance over abstractionist rigor.

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Dish, Persia, early 16th century

Lone Star and Crescent

With a single loan, the Dallas Museum of Art becomes one of the biggest Islamic-art repositories in North America.

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El Greco (Domenikos Theotokopoulos) and Workshop, Christ Carrying the Cross

Body and Soul

Greek by birth, Spanish by choice, El Greco transcended place and time with his expressionistic flights of the spirit.

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Joaquín Torres-García, Puerto de Barcelona, 1918, oil on cardboard, 20 1⁄2 x 28 3⁄4 inches;

Latin American Original

Joaquín Torres-García discovered avant-garde art in Europe and then returned to his native Uruguay to forge a synthesis of Old World and New World aesthetics.

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Ed Moses in his Venice, Calif., studio, photographed by Alan Shaffer

The Explorer

Ed Moses, at 88, refuses to be tied down to any style or concept, rejects the idea of “the artist,” and creates by embracing the happy accident.

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