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Impressionism

Alexander Phimister Proctor, Slim, 1914 (cast 1915 or after) 11 7/8 x 10 x 5 inches.

History on a Pedestal

The Metropolitan Museum of Art shows how the American West was bronzed.

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Rudolph Eickemeyer, The Lily Pond, 1916, gelatin sliver print, toned.

Moving Pictures

With a historic acquisition The Museum of Fine Arts, Boston stages its first Pictorialist photography show in decades.

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Paul Jenkins, Phenomena Shooting the Sun, 1978, acrylic on canvas, 77 x 148 inches.

The Gorgeous Sublime

Paul Jenkins eschewed Abstract Expressionism’s inward gaze, aiming to reflect nature’s beauty with sensuous pours of paint.

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Wendell Castle, oak sleigh chair with hard leather sling seat, 1963

One Piece at a Time

The craftsmen of the studio furniture movement have always been American originals, working independently of each other, following their own visions, making everything by hand.

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Joan Miro, Head, Bird, 1977, lithographic ink and arcylic on Barker paper.

Star Man

An exhibition at the Seattle Art Museum explores Miró’s later, lesser-known works, while telling the story of a peaceful artist living in a politically turbulent world.

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The Poet’s Painter

Intimately connected to the literary world, Joan Mitchell devised an abstract language of her own to make feelings visible.

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Ritual bronze fermented-beverages vessel fangyi, Shang dynasty, Yinxu period, circa 13th–11th centuries B.C.;

Winning Bronze

The beauty and grandeur of Chinese bronzes are equaled only by their historical fascination.

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Jun Kaneko, Untitled, Heads, 2011, cast bronze and steel, 74 x 33.25 x 29 inches;

Artist Profile: The Space Between

Jun Kaneko’s works, in ceramics and other media, are often monumental but always subtle.

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Gradual (Use of the Olivetan Benedictines), circa 1439–47.

Page View

Illuminated manuscripts combine the pleasures of art and literature.

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