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Impressionism

Ivo Pannaggi, Speeding Train (Treno in corsa), 1922, oil on canvas, 100 x 120 cm

Murder the Moonlight

The Guggenheim gives Italy’s feisty Futurists their first comprehensive show in America.

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Kamille Corry, Threads of Illusion (detail), oil on linen on panel.

High Art in the Lowcountry

Charleston’s art scene embraces the best of both tradition and modernity.

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Bob Kuhn, Aquacade, 1974, acrylic on board, 32 x 48 inches;

Something Wild

Wildlife art stays true to nature.

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Wayne Thiebaud, Pies, 1961, oil on canvas, 22 x 28 inches;

Food for Thought

Wayne Thiebaud’s tasty-looking paintings have often been mistaken for Pop Art, but the artist is after something deeper, both in art and in life.

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Georges Braque, Grand intérieur à la palette (Large Interior with Palette), 1942, oil and sand on canvas.

Gleaming the Cube

Often misperceived as second banana to a certain famous Spaniard, Georges Braque co-invented Cubism but didn’t stop there.

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Jules Tavernier, A Balloon in Mid-Air, 1875, oil on canvas, 30 x 50 inches

A Two-Fisted Painter

Jules Tavernier, a legendarily adventurous and versatile 19th-century artist, is paid homage in his adopted state of California.

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sapphires and diamonds; Van Cleef & Arpels, Egyptian-inspired bracelet. ulgari Heritage Colle C tion  ©   a Bulgari, Tubogas bracelet watch, circa 1972, gold and burnished steel

Multifaceted Shows

Modern jewelry giants are being celebrated by art museums on both coasts.

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Baule mask

Out of Africa

The Leslie Sacks Collection of African tribal art is an encyclopedic microcosm of a continent’s creativity and a connoisseur’s eye.

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Alfredo Ramos Martínez, Mexican Landscape, circa 1935, watercolor and charcoal on paper.

North of the Border

Exiled in California, the artist Alfredo Ramos Martínez created a Mexico of the mind.

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