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Impressionism

Night Photography: The Power and Ingenuity of Nighttime Photographs

It’s often said that the freaks come out at night, but two recent shows prove that it’s really the photographers.

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Track Work

Papering the subways, London Transport posters brought modernism to the masses.

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Strange Fires

Valton Tyler’s visionary Paintings are some of the most mysterious—and oddly alluring—images anywhere on the contemporary scene.

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May Slideshow: Creature Feature

Even though the giant king cobra who, in a flurry of news coverage and twitter posts, escaped the Bronx Zoo in March was found a few weeks later, it seems like otherworldly beasts and mythic creatures are sweeping the country. This month we serve up 12 images from around that art world that prove that THEY are taking over.

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Petal Mettle

With May flowers out in spring’s last burst of color, it’s a good time to look at Charles Burchfield paintings. And through the 27th, Debra Force Fine Art in New York will be showing a major private collection of Burchfields, consisting of 11 large-scale watercolors and one conté crayon drawing that relates to one of the paintings.

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May’s Auction Action

This month is rich in auctions, especially in New York, with sales of Impressionist, modern and contemporary art in the offing, as well as American paintings and assorted other fields.

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A Leica Like That

Digital photography has all but killed off film, and even professional photographers are running around snapping pictures with their iPhones, but there’s still a place in this world for a classic mechanical film camera—especially if it’s a Leica.

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Pre-Raphaelite Drawing

Released in conjunction with the Birmingham Museum and Art Gallery’s major exhibition “The Poetry of Drawing,” the book reproduces the most comprehensive assembly of pre-Raphaelite works on paper to date.

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We’ll Always Have Paris

“For the perfect flaneur,” wrote Charles Baudelaire in The Painter of Modern Life (1863), “for the passionate spectator, it is an immense joy to set up house in the heart of the multitude, amid the ebb and flow of movement, in the midst of the fugitive and the infinite.”

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