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Impressionism

Betty Anglin Smith, Coastal Light

Charleston: High Culture in the Lowcountry

March is a special month for art and antiques in historic Charleston, South Carolina’s art capital.

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Sean Scully, Landline Orient, 2017

Sean Scully: Memory of Land and Sea

In his latest exhibition, Sean Scully depicts land, sea, and sky with eloquent simplicity.

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Pierre Bonnard, Coffee (Le Café), 1915

Pierre Bonnard: Warm Color

A sweeping exhibition at the Tate Modern reintroduces Pierre Bonnard as a great painter of the 20th century.

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Lucia Moholy, Bauhaus Building, Dessau, Germany, 1926

Bauhaus Centennial: Two Schools of Thought

In honor of the Bauhaus’ centennial, Harvard’s Busch-Reisinger Museum showcases its expansive collection of Bauhaus-related works.

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Arthur Osver, S.E.X.Y., 1995

Arthur Osver: The Inner Landscape

Formed as an artist in the crucible of American industrialism, Arthur Osver journeyed into realms of abstraction to find a unique way of seeing and painting.

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Edna Andrade, Mariposa, 1983

Edna Andrade: The Geometry of Perception

Edna Andrade’s art transcends the “Op” label, revealing her fascination with mathematics, psychology, and the inner workings of nature.

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Detail of a Pair of Flintlock Pistols

Arms and the Man

The Met puts a cache of rare decorative English firearms on view for The first time.

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Design drawing for a rug, 1947

Whole Cloth

The Wolfsonian’s latest exhibition brings the history of Italian textile design from Genoa to Miami.

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Joseph Mallord William Turner, Wolf’s Hope, Eyemouth, circa 1835

Turner and Constable: Figures in a Landscape

The contrasting approaches of two great masters of English landscape painting, Turner and Constable, are showcased in a new exhibition at the Clark.

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