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Impressionism

Nils Dardel, The Dying Dandy, 1918

Nordic Art: The Idea of North

The Phillips Collection surveys two centuries of Nordic art.

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Nawanagar ruby necklace, Cartier, London, 1937

Al Thani Collection: Royal Splendor

An exhibition of the Al Thani Collection in San Francisco highlights the currents of mutual admiration and influence that flowed back and forth between Indian and Western jewelry traditions.

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André Masson, There Is No Finished World, 1942

Surrealism: Winds of War

A new exhibition reveals how Surrealism, the movement that captivated the art world from the 1920s through the 1940s, was held captive by war.

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Al Loving, Septahedron 31, 1970

Al Loving: Flight to Freedom

From hard edge to soft fabric, Al Loving’s abstract creations explore the farther reaches of perception and emotion.

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Edward Burn-Jones, Love Among the Ruins, 1870-3

The Defiant One

A new exhibition on Edward Burne-Jones thinks outside the Pre-Raphaelite box.

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Victor Hugo, Ma destinée (My destiny), 1867

A Writer’s Wordless Visions

The artwork of Victor Hugo is revealed at the Hammer Museum in Los Angeles.

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Hilma af Klint, Untitled, 1920

From Beyond

Hilma af Klint’s pioneering abstract art, born of spiritual visions, goes on view at the Guggenheim.

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Tokuriki Tomikichiro, Sanjo Bridge, 1954

Print Culture

Japanese printmaking and photography of the 20th century would be unthinkable without each other.

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John Chamberlain, Papalote Goliad, 1974–75

A Good Fit

John Chamberlain found his own art materials where no one else was even looking and assembled them as a poet assembles words.

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