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Impressionism

Leonora Carrington, Snake Bike Floripondio, 1975

The Woman Sorcerer

In Mexico, a massive retrospective reveals the magical world of Leonora Carrington.

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Ansel Adams, Clearing Winter Storm, Yosemite National Park, about 1937

Ansel Adams: Western Expansion

A show at the MFA Boston looks at the influences on and of Ansel Adams.

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Omar d’Leon, Las devoradoras, 1962

Moving to the Center

The art of Central America, long left out of the story of Latin American modernism, is getting new attention due to the efforts of two determined U.S. dealer-researchers.

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Louise Nevelson, Mrs. N’s Palace, 1964–77

The Big Picture

The Met’s exhibition of monumental abstraction places disparate works in dialogue with each other—and with the viewer.

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Large Diamond Lounge Chair, circa 1952

Have a Seat

A new exhibition explores 200 years of American design through the example of the chair.

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Egon Schiele, Self-Portrait with Chinese Lantern Plant, 1912

The Light Is Back On

Paris has definitively re-emerged as a major venue for contemporary art.

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Bill Traylor, Mean Dog (Verso: Man Leading Mule), ca. 1939–1942

Bill Traylor: Traylor Made

A sweeping exhibition examines the breadth of Bill Traylor’s life and work.

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Ida Ten Eyck O’Keeffe, Creation, date unknown

Ida O’Keeffe: Sister Act

An exhibition and new research shed light on the life and work of Ida O’Keeffe, sister of Georgia and an under-recognized modernist painter.

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Ruth Asawa, Untitled (S.095, Hanging Single-Lobed, Six-Layered Continuous Form within a Form), circa 1952

Ruth Asawa: Divine Wire

Ruth Asawa’s material-driven sculptures spanning 60 years are on view at the Pulitzer Arts Foundation.

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