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Impressionism

Piero di Cosimo, The Discovery of Honey

Piero di Cosimo: Man, Myth, and Legend

The first major retrospective of Florentine painter Piero di Cosimo comes to the National Gallery of Art in Washington, D.C.

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From One Hundred Portraits of Peking Opera Characters

Brush with Greatness

Classical Chinese ink-and-brush paintings embody millennia of tradition as well as the freshness of the human encounter with nature.

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Thomas Cole, The Course of Empire: The Consummation of Empire

A River Runs Through It

The painters of the Hudson River School helped define who we are as Americans, as a comprehensive exhibition makes luminously clear.

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Enrico Donati, Tower of the Alchemist: Partie de l’ultrason, 1947

Enrico Donati: The Magician

Enrico Donati, acclaimed as “The Last Surrealist,” kept the impulse of Surrealism flowing through eight decades of work in a plethora of styles.

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Charline von Heyl, Carlotta, 2013

No Time Like the Present

In an “atemporal” age, a new exhibition proposes, painters can—and do—make art from an anything-goes grab bag of styles and attitudes.

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Motonaga Sadamasa, Red and Yellow

Physical Graffiti

Pushing their materials and sometimes their bodies to the limits, Kazuo Shiraga and Sadamasa Motonaga helped redefine art in postwar Japan.

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Exterior view of the Kunstmuseum Bern;

A Strange Bequest

The inside story of how a major World War II-era German collection ended up in an obscure Swiss museum.

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Sondra Wampler, Pluma Vestes

Desert Bloom

Scottsdale’s art scene encompasses the ancient to the avant-garde, from Native American to local and international contemporary art.

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J.M.W. Turner, Ancient Rome; Agrippina Landing with the Ashes of Germanicus

Late and Great

In his last decade and a half, J.M.W. Turner seemed to transcend all known standards, baffling the critics but inspiring future generations.

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