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Old Masters

Vera Iliatova, The Land of Plenty, 2017

Back to the Land

An innovative show at the Katonah Museum of Art juxtaposes modernist and contemporary landscape art.

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Dorothea Lange, Crossroads General Store, Gordonton, North Carolina, 1939

Dorothea Lange: Through the Lens of Compassion

A major retrospective of Dorothea Lange’s photographic career returns to the U.S.

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Tsukioka Yoshitoshi, The Demon Omatsu Murders Shirosaburõ in the Ford, 1885

Tsukioka Yoshitoshi: The Last Master

As the 19th century drew to a close, Tsukioka Yoshitoshi gave classic Japanese woodblock printmaking a sunset burst of glory.

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Vincent van Gogh, A Pair of Leather Clogs, autumn 1889

Becoming van Gogh

Two major exhibitions, in the U.S. and the U.K., explore the painter’s beginnings and growth as an artist.

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Hans Hofmann, Combinable Wall I and II, 1961

Hans Hofmann: Pushing Forward

Hans Hofmann, deeply influential for decades as a teacher and theorist, achieved late-career greatness as an Abstract Expressionist painter.

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Kikuo Saito, Indian Gray, 2006

Kikuo Saito: Setting the Scene

The Japanese-born American artist Kikuo Saito drew on his theatrical background, Japanese art, and Color Field to create a unique style of abstract painting.

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Betty Anglin Smith, Coastal Light

Charleston: High Culture in the Lowcountry

March is a special month for art and antiques in historic Charleston, South Carolina’s art capital.

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Sean Scully, Landline Orient, 2017

Sean Scully: Memory of Land and Sea

In his latest exhibition, Sean Scully depicts land, sea, and sky with eloquent simplicity.

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Pierre Bonnard, Coffee (Le Café), 1915

Pierre Bonnard: Warm Color

A sweeping exhibition at the Tate Modern reintroduces Pierre Bonnard as a great painter of the 20th century.

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