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Old Masters

Louise Nevelson, Mrs. N’s Palace, 1964–77

The Big Picture

The Met’s exhibition of monumental abstraction places disparate works in dialogue with each other—and with the viewer.

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Large Diamond Lounge Chair, circa 1952

Have a Seat

A new exhibition explores 200 years of American design through the example of the chair.

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Egon Schiele, Self-Portrait with Chinese Lantern Plant, 1912

The Light Is Back On

Paris has definitively re-emerged as a major venue for contemporary art.

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Bill Traylor, Mean Dog (Verso: Man Leading Mule), ca. 1939–1942

Bill Traylor: Traylor Made

A sweeping exhibition examines the breadth of Bill Traylor’s life and work.

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Ida Ten Eyck O’Keeffe, Creation, date unknown

Ida O’Keeffe: Sister Act

An exhibition and new research shed light on the life and work of Ida O’Keeffe, sister of Georgia and an under-recognized modernist painter.

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Ruth Asawa, Untitled (S.095, Hanging Single-Lobed, Six-Layered Continuous Form within a Form), circa 1952

Ruth Asawa: Divine Wire

Ruth Asawa’s material-driven sculptures spanning 60 years are on view at the Pulitzer Arts Foundation.

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Nils Dardel, The Dying Dandy, 1918

Nordic Art: The Idea of North

The Phillips Collection surveys two centuries of Nordic art.

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Nawanagar ruby necklace, Cartier, London, 1937

Al Thani Collection: Royal Splendor

An exhibition of the Al Thani Collection in San Francisco highlights the currents of mutual admiration and influence that flowed back and forth between Indian and Western jewelry traditions.

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André Masson, There Is No Finished World, 1942

Surrealism: Winds of War

A new exhibition reveals how Surrealism, the movement that captivated the art world from the 1920s through the 1940s, was held captive by war.

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