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Old Masters

Lucia Moholy, Bauhaus Building, Dessau, Germany, 1926

Bauhaus Centennial: Two Schools of Thought

In honor of the Bauhaus’ centennial, Harvard’s Busch-Reisinger Museum showcases its expansive collection of Bauhaus-related works.

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Arthur Osver, S.E.X.Y., 1995

Arthur Osver: The Inner Landscape

Formed as an artist in the crucible of American industrialism, Arthur Osver journeyed into realms of abstraction to find a unique way of seeing and painting.

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Edna Andrade, Mariposa, 1983

Edna Andrade: The Geometry of Perception

Edna Andrade’s art transcends the “Op” label, revealing her fascination with mathematics, psychology, and the inner workings of nature.

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Detail of a Pair of Flintlock Pistols

Arms and the Man

The Met puts a cache of rare decorative English firearms on view for The first time.

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Design drawing for a rug, 1947

Whole Cloth

The Wolfsonian’s latest exhibition brings the history of Italian textile design from Genoa to Miami.

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Joseph Mallord William Turner, Wolf’s Hope, Eyemouth, circa 1835

Turner and Constable: Figures in a Landscape

The contrasting approaches of two great masters of English landscape painting, Turner and Constable, are showcased in a new exhibition at the Clark.

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Leonora Carrington, Snake Bike Floripondio, 1975

The Woman Sorcerer

In Mexico, a massive retrospective reveals the magical world of Leonora Carrington.

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Ansel Adams, Clearing Winter Storm, Yosemite National Park, about 1937

Ansel Adams: Western Expansion

A show at the MFA Boston looks at the influences on and of Ansel Adams.

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Omar d’Leon, Las devoradoras, 1962

Moving to the Center

The art of Central America, long left out of the story of Latin American modernism, is getting new attention due to the efforts of two determined U.S. dealer-researchers.

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