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Old Masters

Al Loving, Septahedron 31, 1970

Al Loving: Flight to Freedom

From hard edge to soft fabric, Al Loving’s abstract creations explore the farther reaches of perception and emotion.

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Edward Burn-Jones, Love Among the Ruins, 1870-3

The Defiant One

A new exhibition on Edward Burne-Jones thinks outside the Pre-Raphaelite box.

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Victor Hugo, Ma destinée (My destiny), 1867

A Writer’s Wordless Visions

The artwork of Victor Hugo is revealed at the Hammer Museum in Los Angeles.

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Hilma af Klint, Untitled, 1920

From Beyond

Hilma af Klint’s pioneering abstract art, born of spiritual visions, goes on view at the Guggenheim.

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Tokuriki Tomikichiro, Sanjo Bridge, 1954

Print Culture

Japanese printmaking and photography of the 20th century would be unthinkable without each other.

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John Chamberlain, Papalote Goliad, 1974–75

A Good Fit

John Chamberlain found his own art materials where no one else was even looking and assembled them as a poet assembles words.

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Vera Ermolaeva, Design for Futuristic Opera “Victory over the Sun”,

Fighting for the Future

At the dawn of the Soviet era, in a revolutionary art school in the city of Vitebsk, two different visions of modernism struggled for dominance.

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Commentary on the Psalms, Kaffa, 1449

In the Shadow of Ararat

The Met puts the splendor of medieval Armenian art on display.

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Installation view of “Glass of the Architects: Vienna, 1900–1937”

Modernist Material

A show at the Corning Museum of Glass explores the role of glass in early 20th-century Viennese design.

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