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Posts by Art & Antiques Magazine

Arshile Gorky: Explorer of the New World

By Art & Antiques Magazine | May 29, 2019
Arshile Gorky, The Liver is the Cock’s Comb, 1944

Arshile Gorky, an Armenian refugee, remade himself in America, synthesizing an art practice that brought him to the brink of Abstract Expressionism.

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Judy Pfaff: Controlled Chaos

By Art & Antiques Magazine | May 29, 2019
Judy Pfaff, Scopa #1 (sette bello), 1988

Judy Pfaff’s boundary-breaking installations and multimedia works balance wild exuberance and carefully planned structure.

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Bartolomé Bermejo: Beat the Devil

By Art & Antiques Magazine | May 28, 2019
Bartolomé Bermejo, Descent of Christ into Limbo, about 1470–75

Astonishing works by the 15th-century Spanish painter Bartolomé Bermejo are on view at London’s National Gallery.

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Global Deco

By Art & Antiques Magazine | May 28, 2019
McKaycraft line magazine rack, circa 1933

The Wolfsonian in Miami offers a comprehensive view of Art Deco on both sides of the Atlantic.

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Frank Bowling: The Possibility of Paint

By Art & Antiques Magazine | May 28, 2019
Frank Bowling, Sacha Jason Guyana Dreams, 1989

The Guyanese-English artist Frank Bowling is getting a long-awaited retrospective at Tate Britain.

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Enough for a Lifetime

By Art & Antiques Magazine | May 1, 2019
Carl Holty, Flowering, 1961

Carl Holty, a bridge between European modernism and the American art scene of the ’60s and ’70s, found original solutions to some of the deepest problems in abstract painting.

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The Open Door

By Art & Antiques Magazine | May 1, 2019
Dorothea Tanning, Dogs of Cythera, 1963

The fantastic art of Dorothea Tanning, one of the last survivors of the Surrealist movement, gets a retrospective at Tate Modern.

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Gorham Silver: The Shining

By Art & Antiques Magazine | May 1, 2019
Waste Bowl, 1886

Hundreds of pieces of Gorham silver go on view at the Rhode Island School of Design Museum, providing a brilliant view into the “golden age” of American silver.

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State of Maine

By Art & Antiques Magazine | April 30, 2019
Alex Katz, Untitled (Landscape with Cars), circa 1954

The Farnsworth Museum celebrates a group of postwar New York artists who came to Maine for work and pleasure.

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