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Archive for April 2013

Native American Art: Blanket Statements

By John Dorfman | April 12, 2013
Second-phase blanket, circa 1860s

The essentials of Navajo culture are woven into every textile they made, even though most were intended for the Anglo market.

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The Extraordinary Ordinary

By Edward M. Gómez | April 12, 2013
a Goliath head, owned by Texas-based collectors Bruce and Julie Webb;

Finding beauty in the cast-off or the offbeat, eclectic collectors are redefining aesthetic value — on their own terms.

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Spanish Colonial Art: The New World’s Old Masters

By Art & Antiques Magazine | April 12, 2013
Gaspar Miguel de Berrío, Our Lady of Mount Carmel with Bishop Saints, 1764, oil on canvas.

Spanish colonial art, long dismissed as derivative or politically incorrect, is receiving a major reappraisal in Latin America and drawing new attention in the U.S.

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Contemporary Photography: Multiple Exposures

By Art & Antiques Magazine | April 12, 2013
Jill Greenberg, Cover Up.

Whether they’re inspired by Internet surveillance images or 17th-century portraits, contemporary artists draw on a wide range of material to stretch photography’s limits of expression.

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Duane Michals: The Wizard of Gramercy Park

By Art & Antiques Magazine | April 1, 2013
Duane Michals, Nora Barnacle, 2012, tintypes with hand-applied paint.

Duane Michals has always chosen to photograph the things you can’t see, and now he’s using paint to show us things you can’t photograph.

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Chicago Style

By Art & Antiques Magazine | April 1, 2013
Pablo Picasso, The Old Guitarist, 1902–04

The Second City has first-class art to see and buy, from museums to galleries to auction houses.

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Young Victorian Punks

By Sarah E. Fensom | April 1, 2013
Edward Burne-Jones, The Doom Fulfilled, 1885-1888

Washington D.C.’s National Gallery of Art mounts a sweeping exhibition of the Pre-Raphaelite Brotherhood—the first U.S. retrospective of its kind.

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