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Posts by Art & Antiques Magazine

From Beyond

By Art & Antiques Magazine | September 29, 2018
Hilma af Klint, Untitled, 1920

Hilma af Klint’s pioneering abstract art, born of spiritual visions, goes on view at the Guggenheim.

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Print Culture

By Art & Antiques Magazine | September 29, 2018
Tokuriki Tomikichiro, Sanjo Bridge, 1954

Japanese printmaking and photography of the 20th century would be unthinkable without each other.

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A Good Fit

By Art & Antiques Magazine | August 29, 2018
John Chamberlain, Papalote Goliad, 1974–75

John Chamberlain found his own art materials where no one else was even looking and assembled them as a poet assembles words.

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Fighting for the Future

By Art & Antiques Magazine | August 29, 2018
Vera Ermolaeva, Design for Futuristic Opera “Victory over the Sun”,

At the dawn of the Soviet era, in a revolutionary art school in the city of Vitebsk, two different visions of modernism struggled for dominance.

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In the Shadow of Ararat

By Art & Antiques Magazine | August 29, 2018
Commentary on the Psalms, Kaffa, 1449

The Met puts the splendor of medieval Armenian art on display.

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Modernist Material

By Art & Antiques Magazine | August 29, 2018
Installation view of “Glass of the Architects: Vienna, 1900–1937”

A show at the Corning Museum of Glass explores the role of glass in early 20th-century Viennese design.

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Light from the East

By Art & Antiques Magazine | August 29, 2018
Katsushika Hokusai, Tiger in Snow, 1849

Traditional Japanese paintings are an excellent buying opportunity, as well as a portal into a world of timeless grace and beauty.

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Signs and Wonders

By Art & Antiques Magazine | August 29, 2018
Tony Berlant, Self, 2018

Whether in his collage-based art or in his activities as collector/scholar/curator of ancient artifacts, Tony Berlant is penetrating into hidden levels of meaning.

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A Gentleman and an Artist

By Art & Antiques Magazine | July 9, 2018
Charles Green Shaw, Biomorphic Seascape, 1936

In the period before Ab Ex, the multitalented Manhattanite Charles Green Shaw was a powerful advocate for abstract art in America.

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