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Posts by Art & Antiques Magazine

Video Tour: The Ellsworth Collection

By Art & Antiques Magazine | March 13, 2015

Christie’s New York will auction off the collection of Robert Hatfield Ellsworth on March 17-21. But before the sale, Art & Antiques was given a peek inside the late collector and scholar’s Upper East Side apartment

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Ed Mieczkowski: Apollonian Op

By Art & Antiques Magazine | March 11, 2015
Ed Mieczkowski, Blue Ore, 1986

Ed Mieczkowski’s “perceptual abstraction” can teach us to see how we see.

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City Guide: Charleston, S.C. Art Galleries

By Art & Antiques Magazine | February 26, 2015
Karen Anne Myers, Geo Stripes

From classic to contemporary, regional to global, discoveries abound in the Southeast’s art capital.

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A Strange Bequest

By Art & Antiques Magazine | January 27, 2015
Exterior view of the Kunstmuseum Bern;

The inside story of how a major World War II-era German collection ended up in an obscure Swiss museum.

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Desert Bloom

By Art & Antiques Magazine | January 27, 2015
Sondra Wampler, Pluma Vestes

Scottsdale’s art scene encompasses the ancient to the avant-garde, from Native American to local and international contemporary art.

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The Imaginary Real

By Art & Antiques Magazine | November 27, 2014
Al Held, Roberta’s Trip, 1985

In his bold, geometric work, Al Held eschewed subjectivity and strove for structure

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Lone Star and Crescent

By Art & Antiques Magazine | November 11, 2014
Dish, Persia, early 16th century

With a single loan, the Dallas Museum of Art becomes one of the biggest Islamic-art repositories in North America.

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Latin American Original

By Art & Antiques Magazine | November 11, 2014
Joaquín Torres-García, Puerto de Barcelona, 1918, oil on cardboard, 20 1⁄2 x 28 3⁄4 inches;

Joaquín Torres-García discovered avant-garde art in Europe and then returned to his native Uruguay to forge a synthesis of Old World and New World aesthetics.

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The Explorer

By Art & Antiques Magazine | October 29, 2014
Ed Moses in his Venice, Calif., studio, photographed by Alan Shaffer

Ed Moses, at 88, refuses to be tied down to any style or concept, rejects the idea of “the artist,” and creates by embracing the happy accident.

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